The methods adopted to get the land of Palestine away from the Arabs in the early days o{ the Zionist invasion were such as will fill the world with indignation once the world is permitted to know what was done. That it was done with the knowledge and approval of Zionist Commissioner Samuel is indicated by the fact that he suspended the activities of a British officer who endeavored to stop the abuse.
It was the old game of lending money at exorbitant rate of interest to Arabs hard pressed by the ravages of war and crop failure, and then seizing their land when they could not pay. The bank that did this was the Anglo-Palestine Bank, a Zionist concern. This British officer, to save the people and the land, made arrangements with a British bank to lend them money at 6. 5% with five years to pay.
If payment failed, the land was to go to the government for redistribution, not to the Zionist bank. This was the humane plan which the Zionist High Commissioner forbade, whereupon the British officer resigned The well-considered action of Jewry in power.
Then follows what is described by every impartial observer as an arrogant attempt to expropriate everything in sight. The only schools that had been established in Jerusalem had been built and manned by the Gentiles, although the tiny group of Jews permanently resident in Jerusalem have been the pensioners of worldwide Jewry for centuries. As long ago as 1842 Dr. Murray M'Cheyne noted that the Jerusalem Jews cared nothing for the schools, but Christians with a warm regard for the Holy City set about to improve the miserable condition of the Jewish inhabitants.
Thus it came that at the time of the Zionist invasion a considerable number of Jewish children were in attendance at the schools. The new-come Zionist leaders demanded that the best of the schools be given up to them. Of course, this was refused." The Council of Jerusalem Jews" then caused it to be published in the Hebrew daily that parents who did not withdraw their children from the schools would be punished. Now look at the typical punishments threatened:
If any parent refused whose name was on the list of the American Relief Fund, the relief would be withdrawn.
Doctors would be forbidden to visit families that had children attending the enlightened schools.
Their names would be sent to the blacklist at the places where circumcision was performed, so that newborn descendants of the recalcitrants might be refused the rites of Moses.
They would be denied all share in Zionist benefits or funds.
If they were in business they would be boycotted.
If they were workmen, they could get no work.
"Anyone who refused, let him know that it was forbidden for him to be called by the name of Jew. They will be fought by all lawful means. Their names will be put upon a monument of shame and their deeds made to reproach them to the last generation. If they are supported, their support will cease. If they are rabbis, they will be removed from office. They shall be put under the ban and persecuted, and all the world will know that in this justice there has been no mercy."
It is the spirit of Jewish Bolshevism all over again. It is tyranny, not the tyranny of strength, but of meanness and darkness. It is the spirit which produced the Irgun terrorism, the Jewish hatred, malice and vengeance which lurks for all critics of Jewry and opponents of Zionist ambitions. This spirit which obtained at the beginning of a movement, which the innocent Christian world has been taught by propaganda to regard as a profoundly religious and respectable exodus, explains all that has happened in the years since the Zionists took over Palestine. It staggers the imagination to forecast what will be done in a period of full and unquestioned rule. It is very clear that Jewish nationalism will develop along the line of enmity to the rest of the world.
There are three elements of danger in the situation: the overwhelming predominant Bolshevist element that is being poured into Palestine; the intense, egotistic and challenging nationalism that Zionists exhibit even before they get a potato patch - the taste for world politics and world power; and the racial confusion which now exists in Palestine. These combined are dynamite.
The first is more vital than many realize. The few Jews who have gone to Palestine at great sacrifice and for pious reasons are complaining that instead of the Psalms of David the people are singing songs of the Red Revolution, and instead of meeting for instruction and prayer there are riotous gatherings extolling Russian leaders as Messiahs and the Soviet as the Kingdom of Heaven.
Palestine has been called the center of the earth. The power that controls Palestine controls the world. Although exercising no sovereignty over the land itself, Great Britain's control of adjacent waters and of Egypt and Persia and India forms the key of her power.
EDITOR'S NOTE: The "key" has since been given away. It is significant that the "giving away" of British power in recent years should have the approval of both the Conservative, self-confessed Zionist, Churchill, and the British Labor Patty.
British history since World War I clearly proves the dominance of Jewish power in that country.
The white race has thus far been the Chosen People to whom dominion of the earth has been given. Palestine is the key to world military strategy and trade. In question 12 of the Questions and Answers published by the department Education, Zionist Organization of America, this occurs:
"12. What are the commercial possibilities of Palestine? The location of Palestine between three continents favors foreign trade."
All this lends itself to dynamite of future glory, as do the unlimited mineral and oil resources of Palestine estimated by scientists in astronomical figures. Many Christian friends of the Jew have pleased themselves by conceiving a universal Hague at Jerusalem and a new social order going out to bless the nations from Zion.
It is the idea conveyed by men like A. A. Berle in books like "The World Significance of a Jewish State." Americans do not understand the delicate racial situation in Palestine.
Zionist propaganda has always been accepted on the assumption that Palestine is the Jews' land and that they only need help to go back. It is an historical and political fact that Palestine has not been the Jew's land for more than 2,000 years - and then for only a brief while.
At the close of the 1914-1918 war there were in Palestine over 600,000 Arabs and only 50,000 Jews. Neither numerically nor industrially have the Jews held the land. Yet as the result of a "war bargain" it is handed over to them as regardless of the native inhabitants as if Belgium had been handed over to Mexico. Many of the natives are Semites, like the Jews, but they do not want the Jews among them.
The Balfour Declaration, as well as the terms of the Mandate, recognized the rights of the native races. Everyone who knows about the people who have been native to Palestine for thousands of years recognizes their right, everybody except the Jews.
It is now that the last clauses, added as the Zionist historian declares, "in order to appease a certain section of timid anti-Zionist opinion? ' begin to get a meaning for the reader. Was the purpose only to quiet disturbing questions until all the arrangements were made? Evidently. It was then a dishonest appeasement! Such may have been the Zionists' intention, but no one expects perjury on the part of the responsible nations.
General Allenby promised the native Arabs of Palestine that their rights would be respected. So did the Balfour Declaration. So did the San Remo Conference. So also did President Wilson in the twelfth of his Fourteen Points. But Judah says, "Let them get out!"
"The last clauses were added in order to appease a certain section of timid anti-Zionist opinion." "Let them give up their land to us, we want it!" The delightful Jewishness of it! The watchmen on the towers of the world are alarmed at what is brewing in Judah's cauldron.
The International Jew, the World’s Foremost Problem
Jewish Supremacy in the Theatre and Cinema
The Theater has long been a part of the Jewish program for the guidance of public taste and the influencing of the public mind. Not only is the theater given a special place in the program of the Protocols, but it is the instant ally night by night and week by week of any idea which the "power behind the scenes" wishes to put forth. It is not by accident that in Russia, where they now have scarcely anything else, they still have the Theater, specially revived, stimulated and supported by Jewish-Bolshevists because they believe in the Theater just as they believe in the Press; it is one of the two great means of molding popular opinion.
Not only the "legitimate" stage, so-called, but the motion picture industry-the fifth greatest of all industries - is also entirely Jew-controlled; with the natural sequence that the civilized world is increasingly antagonistic to the trivializing and demoralizing influence of that form of entertainment as at present managed.
As soon as the Jew gained control of American liquor, we had a liquor problem with drastic consequences. As soon as the Jew gained control of the "movies" Be had a movie problem, the consequences of which are visible. It is the peculiar genius of that race to create problems of a moral character in whatever business they achieve a majority.
Every night hundreds of thousands of people give from two to three hours to the Theater, every day literally millions of people give up from 30 minutes to 8 hours to the "Movies"; and this simply means that millions of Americans every day place themselves voluntarily within range of Jewish ideas of life, love and labor; within close range of Jewish propaganda, sometimes cleverly, sometimes clumsily concealed.
This gives the Jewish masseur of the public mind all the opportunity he desires; and his only protest now is that exposure may make his game a trifle difficult. The Theater is not only Jewish on its managerial side, but also on its literary and professional side. More and more plays are appearing whose author, producer, star and cast are entirely Jewish (vaudeville-music hall-performers are predominantly Jewish). They are not great plays, they do not last long. This is natural enough, since the Jewish theatrical interests are not seeking artistic triumphs, they are not seeking the glory of the American stage, nor are they striving to develop great actors. Their interest is solely financial and racial. There is a tremendous Judaizing movement on. The work is almost complete. The American feel has gone out of the Theater; a dark, Oriental atmosphere has come instead.
EDITOR'S NOTE: Writing in the London "Jewish Chronicle," August 6 1948, a Jewish correspondent (Americanus) admits "Most of the persons who have cudgelled their wits over the problem, have neglected one of the most obvious impacts on American life Jews have made, in the mass entertainment media-radio, films, the stage, night clubs. One might almost say that American culture as a whole has taken on certain Jewish overtones."
Down to 1885 the American Theater was still in the hands of the Gentiles; from that year dates the first invasion of Jewish influence. This date almost coincides with the beginning of the organization and co-ordination of the Jewish world scheme for domination called Zionism, and this year marks not only the beginning of the Jewish wedge of control, but something far more important. It is not important that theater and music hall managers are now Jews whereas they were formerly Gentiles.
The importance begins with the fact that with the change of managers there came also a decline in the art and morals of the stage, and that this decline became accelerated as the Jewish control became widespread. Jewish control means that everything has been deliberately and systematically squeezed out of the American Theater except its most undesirable elements, and these undesirable elements have been exalted to the highest place of all. The Great Age of the American Theater is past, the Great Actors have passed, and they have left no successors. A Hebrew hand fell on the stage, and the natural genius of the stage was not welcome. A new form of worship was to be established.
"Shakespeare spells ruin," was the utterance of a Jewish manager. "High-brow stuff" (meaning anything not salacious) is also a Jewish expression. These two sayings, one appealing to the managerial end, the other to the public end of the Theater, have formed the epitaph of the classic era. The present-day average intelligence appealed to in the Theater does not rise above 13 to 18 years. "The tired business man" stuff (another Jewish expression) has treated the theater-going public as if it were composed of morons. The appeal is frankly to a juvenile type of mind which can easily be molded to the ideas of the Hebraic theatrical monopoly.
Clean, wholesome, constructive plays-the few that remain-are supported mainly by the rapidly vanishing race of theatregoers who survive from an earlier day, and lay those younger people whose minds have been shielded by these survivors from the contamination of the Jewish theater. The great majority of the present generation has been educated to support plays of an entirely different type.
Tragedy is taboo; the play of character, with a deeper significance than would delight the mind of a child, is out of favor; the comic opera has degenerated into a flash of color and movement-a combination of salacious farce and jazz music, supplied by a Jewish songwriter (the great purveyors of jazz) and the rage is for extravaganza and burlesque.
The bedroom farce has been exalted into the first place, the historical drama has given way to fleshly spectacles set off with overpowering scenic effects, the principal component of which is an army of girls whose drapery does not exceed five ounces in weight.Frivolity, sensuality, indecency, appalling illiteracy and endless platitude are the marks of the degenerate American Theater under Jewish control. That, of course, is the real meaning of all the "Little Theater" movements which have begun in so many cities and towns in the United States.
The art of the drama, having been driven out of the theater by the Jews, is finding a home in thousands of study circles throughout the country. The people cannot see real plays; therefore, they read them. The plays that are acted could not be read at all, for the most part, any more than the words of the jazz songs can be read; they don't clean anything.
The people who u ant to see real plays and cannot, because Jewish managers won't produce them, are forming little dramatic clubs of their own, in barns and churches and schools. The drama fled from exploiters and has found a home with its friends.
